Index: Current Schedule - Comedy - Fiction - General - Literature - MFA - Nonfiction - Novel - Poetry - Screenwriting - Writing for Children
F112 Character DevelopmentThis course will guide the student toward a better understanding of what makes our characters tick. Lessons cover Character Shaping, Improvisations, Unity of Opposites and Motivation.
F114 Doing It With DialogueThe purpose of this class is to emphasize the importance of dialogue. In the next three weeks, we will address the two main issues of dialogue: the what and the how. The what will explore how much detail we convey through the dialogue in what the characters are saying. The how is exactly what it sounds like; how are the characters saying it. In the final week, we will put it all together and see how far we've come.
F126 Story Structures (and Everything In Between)This advanced, eight-week course will help the student gain a better understanding of story form and structure through reading and writing exercises.
F127 Story Structures Editing WorkshopThe Story Structures Editing Workshop is an open workshop for those who have completed F126 Story Structures. This board has been made available for those to continue the work started in F126 and exchange feedback using what was learned in the class.
F130 Mythic Structure Part 1Screenwriting, novel writing, short story writing, fiction or writing creative nonfiction, this course teaches the concepts behind blockbuster movies and best-selling novels. "The Hero's Journey has served storytellers and their listeners since the very first stories were told, and it shows no signs of wearing out. Let's begin the Writer's Journey together to explore these ideas. I hope you find them useful as magic keys to the world of story and the labyrinth of life."
F133 Mythic Structure Part 2The writing course is for screenwriters, novelists, and short story writers. It continues to explore concepts and structures found in polpular movies and novels.
F135 Mythic Structure Part 3The writing course is for screenwriters, novelists, and short story writers. It continues to explore concepts and structures introduced in Mythic Structure Part 1 and Part 2.
F137 Mythic Structure Part 4The course concludes the Mythic Structure Writing series and prepares students for the Mythic Structure Workshop.
F138 Mythic Structure WorkshopThe writing workshop will give Writers an opportunity apply what they've learned in the Mythic Structure Writing series.
F146 Let's Make A SceneNovel Writing, Short Story and Screenwriting Course Learn how to build scenes for novels, screenplays and full-bodied short stories.
F148 Other Worlds in Science Fiction and Fantasy. The objective of this Science Fiction and Fantasy writing course is to show the power of a mythic vision of the world when writing science fiction novels, fantasy novels, screenplays or short stories
F162 Character Driven Plots - The Big 5A study in the use of psychological behavior models for developing realistic characters. This course has applications in all forms of creative writing. Those writing novels will find this course very useful in both the creation and revision stages.
F204 Introduction to ScreenwritingGood acting, terrific camera work, a quality soundtrack...it doesn't mean anything without a good story. In this screenwriting course, we'll explore the genre by looking at what sets it apart from novels, short stories, and plays.
F206 Writing the Screenplay - Part IThe 3-act structure? No problem. Turning points? Piece of cake! There are plenty of people who can identify the main structural points of a screenplay, but not many can translate that into a workable story. In this class, we'll take the principles of the structure and begin to tackle the daunting task of assembling a script, concentrating in this class on the setup and first 30 pages of that screenplay. Prerequisite: Introduction to Screenwriting
F208 Writing the Screenplay – Part 2You’ve made it past the initial hurdle. Your script is underway! But there’s always the pesky second act, the middle of the movie. Sure, you can have a great opening and a great idea for an ending, but how do you keep people watching when the minutes tick by? This class will help you plan your second act so that the story keeps audiences glued to the screen.
F212 Heroes and Heroines (Sixteen Master Archetypes)From the earliest days, storytellers have known the simple truth: strong characters may carry a weak plot, but weak characters cannot be hidden by a strong plot. But high or low, brilliant or average, characters whose stories survive through the ages are those heroes and heroines that ring true to the human spirit. Their personalities, tragedies and triumphs, their decisions made in the heat of the battle-strike a chord of recognition in all who hear the tale.
F228 So, You Want to Build a Fictional World, Do You? Part 1So You Want to Build a World, Do You? This course will introduce you to the challenge of building a world of your own. It will help you to describe the world in which your characters live. You will develop your world from the ground up including geography, history, politics and more. Upon completion of this course you will have the physical, historical, and political setting for your story.
F230 So, You Want to Build a Fictional World, Do You? Part 2So You Want to Build a World, Do You? This course is a continuation of So You Want to Build a Fictional World, Do You? It will help you to describe the world in which your characters live. You will start developing the sociological aspects of your world. You will delve into the Legal System, War, Crime, Transportation, and Medicine. You will also start to develop the general rules for life in your world. Upon completion of this course you will have the beginnings of the social setting for your story. This will also help in the development of your characters.
F232 So, You Want to Build a Fictional World, Do You? Part 3So You Want to Build a World, Do You? This course is a continuation of So You Want to Build a Fictional World, Do You? Parts I and II. It will help you to describe the world in which your characters live. You will further develop your world from the Sociological aspects, including Enjoyment, Spirituality, and Magic, as well as, putting the finishing touches on your characters way of life. Upon completion of this course you will have completed the social setting for your story.
F253 AntiheroesCreating Antiheroes: Antiheroes are protagonists who lack the attributes that make a heroic figure, as nobility of mind and spirit, a life or attitude marked by action or purpose, and the like. The Antihero’s approach is a Reflection in a Looking Glass, a mirror image of normalcy.